Odessa
(2010).
After four months of a long, slow slide down to original content oblivion, I drive a stake into the ground by reviewing Caribou’s latest single and hold on for dear life.
Party Is Over, Pornostar (2007).
I help China in its plans to take over the world by writing about the debut album of Beijing-based group Snapline.
Part the Second (2009).
I continue this summer’s theme of jumping in midway through things with a review of maudlin of the Well’s latest effort.
Minami-ke Okawari (2008).
Because, as everyone knows, the best way to explain a 2000s Japanese anime series is to compare it to a 1950s American B movie.
This Binary Universe (2006).
Yes, it’s review three, but it’s all about base two. Make sense? Hey, it’s not like there’s an album called This Ternary Universe.
Falling Down
(2009).
And so, by posting two posts on the same subject at around the same time of the month for two successive months, I thusly pretend to establish a monthly music review column. Then I overuse the word month
, to the chagrin of all involved.
XTRMNTR (2000).
I take a break from trying to silence the ringing in my ears to review the album that caused it in the first place.